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Katja Novitskova, Museum für Gegenwartskunst Siegen, 2023

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Hamburger Bahnhof, 2019

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

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Katja Novitskova, Venice Biennale, 2017

Katja Novitskova
Pattern of Activation (Mamaroo nursery, dawn chorus), 2017
3 electronic baby swings, 3 aluminum folding stands, plastic hoses, lasers, epoxy clay, digital prints, polyurethane resin, robotic bugs, cable ties, plastic toy parts, swarovski crystals, stress pills, elastic puffers, plastic drill plugs, silicon stress eggs, acrylic massagers, animal pattern stickers, fossil tree mushrooms, power magnets, video projection
dimensions variable
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-------------------------------------------------- 'Katja Novitskova assembles various visual incarnations of data, which are collected by sensors and cameras at the frontiers of human perception. In Mamaroo, part of an ongoing series of...
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"Katja Novitskova assembles various visual incarnations of data, which are collected by sensors and cameras at the frontiers of human perception. In Mamaroo, part of an ongoing series of works that were featured in the Hamburger Bahnhof - Museum für Gegenwart (2019 -2020), Whitechapel Gallery (2018) and the Estonian Pavilion at the 57th Venice Biennale (2017). Electronic baby swings are integrated with apparatuses of vision, alluding to nascency of machine consciousness. Padded with patterned resin diaphragms, the rocking swings archestrate an eerie prenatal environment inhabited by mutant forms.“
"Katja Novitskova assembles various visual incarnations of data, which are collected by sensors and cameras at the frontiers of human perception. In Mamaroo, part of an ongoing series of works that were featured in the Hamburger Bahnhof - Museum für Gegenwart (2019 -2020), Whitechapel Gallery (2018) and the Estonian Pavilion at the 57th Venice Biennale (2017). Electronic baby swings are integrated with apparatuses of vision, alluding to nascency of machine consciousness. Padded with patterned resin diaphragms, the rocking swings archestrate an eerie prenatal environment inhabited by mutant forms.“