Katja Novitskova assembles various visual incarnations of data, which are collected by sensors and cameras at the frontiers of human perception. In Mamaroo, part of an ongoing series of works...
Katja Novitskova assembles various visual incarnations of data, which are collected by sensors and cameras at the frontiers of human perception. In Mamaroo, part of an ongoing series of works that were featured in the Estonian Pavilion at the 57th Venice Biennale (2017), electronic baby swings are integrated with apparatuses of vision, alluding to nascency of machine consciousness. Padded with patterned resin diaphragms, the rocking swings archestrate an eerie prenatal environment inhabited by mutant forms.