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Kraupa-Tuskany Zeidler, 2024
Kraupa-Tuskany Zeidler, 2024
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PrayWay, 2012 (detail)
PrayWay, 2012 (detail)
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Preis der Nationalgalerie, Hamburger Bahnhof 2015
Preis der Nationalgalerie, Hamburger Bahnhof 2015
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Preis der Nationalgalerie, Hamburger Bahnhof 2015
Preis der Nationalgalerie, Hamburger Bahnhof 2015
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Preis der Nationalgalerie, Hamburger Bahnhof 2015
Preis der Nationalgalerie, Hamburger Bahnhof 2015
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Künstlerhaus Stuttgart, 2012
Künstlerhaus Stuttgart, 2012
Slavs and Tatars
PrayWay, 2012
silk and wool carpet, plywood, steel, neon
50 x 390 x 280 cm
19 10/16 x 153 8/16 x 110 3/16 in
unique
19 10/16 x 153 8/16 x 110 3/16 in
unique
Further images
The social sculpture offers a contemplation and materialization of books and reading. Since their beginnings as a book club in 2006, publications have been at the core of the collective’s...
The social sculpture offers a contemplation and materialization of books and reading. Since their beginnings as a book club in 2006, publications have been at the core of the collective’s activities. PrayWay refers formally to the rahlé, a traditional bookstand common to Central Asian Islam for holy books and the takht or topchan, what the collective calls RiverBed–in honor of its ideal placement by a source of water found at teahouses, roadside kiosks and at the entrances of mosques across Iran and Central Asia. PrayWay is a typical example of Slavs and Tatars’ participatory, relational works, creating a space for conversations, and intercultural communication.
Exhibitions
2024, Kraupa–Tuskany Zeidler, Berlin (DE)2015, Preis der Nationalgalerie, Hamburger Bahnhof, Berlin (DE)
2012, Künstlerhaus Stuttgart (DE)
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