“I’m equally intrigued and annoyed with how consumer culture has a tendency to make everything appear cute and convenient, how claustrophobic these properties are, and how closely they are tied to what is considered feminine.”
–Anna Uddenberg

Uddenberg analyzes systems of representations - in particular, the Femme as figuration and the materialities and situations she thrives in. The figures in CLIMBER are presented alone, on eye level with the viewers, aiming to intrude the sense of one's comfort-zone while pushing them into becoming self-aware of their role as a voyeur.

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